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Faculté de Philosophie et Lettres
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The Thatcher Government (1979-1990): A Source of Inspiration and Contestation for Popular Music

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Delaet, Loredana ULiège
Promoteur(s) : Herbillon, Marie ULiège ; Levaux, Christophe ULiège
Date de soutenance : 27-aoû-2019/6-sep-2019 • URL permanente : http://hdl.handle.net/2268.2/8106
Détails
Titre : The Thatcher Government (1979-1990): A Source of Inspiration and Contestation for Popular Music
Auteur : Delaet, Loredana ULiège
Date de soutenance  : 27-aoû-2019/6-sep-2019
Promoteur(s) : Herbillon, Marie ULiège
Levaux, Christophe ULiège
Membre(s) du jury : Pirenne, Christophe ULiège
Langue : Anglais
Discipline(s) : Arts & sciences humaines > Multidisciplinaire, généralités & autres
Institution(s) : Université de Liège, Liège, Belgique
Diplôme : Master en communication multilingue, à finalité spécialisée en langue et culture
Faculté : Mémoires de la Faculté de Philosophie et Lettres

Résumé

[fr] Popular music has always been influenced by social, political, and even cultural context at any moment in History. I chose to analyse the Thatcher government as it inspired abundantly popular music during its time. Indeed, I counted at least a hundred songs evoking a context highlighted by a crisis on all levels during the Thatcher’s years in power.
Margaret Thatcher, nicknamed The Iron Lady, ruled the United Kingdom from 1979 to 1990. She was the first woman to become Prime minister in her country. It is therefore interesting to look at her impact in Britain and on popular music during this period.
Whether in rock, pop, folk, or reggae, Margaret Thatcher’s conservative government and her personality have heavily influenced all genres. Many bands or musicians wrote songs about her or the many conflicts that occurred during her three terms.
Some artists contributed more than others against Margaret Thatcher’s policies, particularly regarding unemployment and the Falklands War. The Specials, Billy Bragg, Crass and Elvis Costello wrote songs about the impact the Thatcher government had on these issues. The songs were understood differently. However, they would be terribly critical of the Thatcher government, "Tramp the Dirt Down" by Elvis Costello and "Ghost Town" by The Specials are the most powerful examples.


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Auteur

  • Delaet, Loredana ULiège Université de Liège > Master commu. multi., à fin.

Promoteur(s)

Membre(s) du jury

  • Pirenne, Christophe ULiège Université de Liège - ULiège > Département médias, culture et communication > Politiques de la culture et production culturelle
    ORBi Voir ses publications sur ORBi
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